Industry

Big Tech is on watch with Australia’s new media bill. Introduced to parliament in December 2020, the new bill “will pass into law fairly soon” and require digital platforms to pay for news. This means that companies like Google and Facebook will have “to pay local media outlets and publishers to link their content,” according […]

The latest Media and Entertainment Outlook 2020 report by PwC states India is currently the world’s fastest growing OTT market, and is positioned to become the world’s sixth-largest by 2024. This means India is likely to overtake South Korea, Germany, and Australia in OTT revenue. Sizable investments by Netflix, Amazon, Disney+ Hotstar and other players […]

In the oceanic depths of online content, there was a tiny litigious rodent named Mickey Mouse that consumed corporate giants to monopolize its stronghold on streaming platforms. When Mickey isn’t floating around on his corporate steamboat Willie enjoying the excesses of his luxurious frugal billionaire lifestyle, this chauvinistic rat is pedaling G-rated content to millions.

Situated just south of the equator, Tanzania is an East African country. It became a sovereign state in 1964 through the union of the theretofore separate states of Tanganyika and Zanzibar. The name is derived from first three letters of two states Tanganyika and Zanzibar (“Tan” and “Zan”) and the suffix, “ia” to form Tanzania.

As social media and technology advances, new types of video content services and user experiences are rapidly evolving. The blend of modern content creation and internet services has changed viewing habits, especially for newer generations. Though traditional television remains an important source of entertainment, increasingly, audiences now prefer to consume video-sharing on portable devices.

STX Entertainment is merging with Eros International, India’s largest film studio, after a “trying year,” according to Variety, and will henceforth be known as the Eros STX Global Corporation. In 2019 viewers saw some midbudget films from STX, including “Hustlers” and “Ugly Dolls.” The merger with Eros International will bring both studios into a higher […]

OTT platforms are steadily expanding their international presence. Content providers want to be relevant in local markets by connecting with audiences through content that is culturally relatable. Platforms want to engage consumers to not only passively watch the content but also to share, comment and debate. However, it seems in their quest to provide cutting […]